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Two Balthus canvases hang at right angles in the same room at the Metropolitan Museum of Art, and the pairing is quietly strange. One is a twelve-foot alpine panorama full of people. The other is a single figure in an airless bedroom. Eighteen years and an entire temperament …
Almost everything most people know about art, they know from reproductions. Not from standing in front of the object, but from a plate in a book, a …
A cobbled slope in Burgos, somewhere in the lanes below the cathedral. Stacked café chairs behind a low fence on the left. A furled umbrella out in …
Two white hands come up out of the Grand Canal at night, lit hard from above, with the moored gondolas under their blue covers sitting between them …
Five people lean on a parapet at Pena, in Sintra, looking out over the forest toward the coast. Nobody faces the camera. You see the backs of heads, a …
The lower dial of the Prague astronomical clock, lit up at night behind its bird netting. Twelve painted medallions of the months around the rim, …
Summer, sun almost overhead, shadows short and hard. This is the light every guide tells you to avoid, and it’s also the light you get if you’re …
Stand in one of the upper galleries and the room does all the work for you. Tall lancet windows throw cold daylight down a rough plaster wall. The …
Stand on the San Marco side of the Grand Canal, put the Rialto Bridge in the middle distance, let the palace fronts run away on both sides, and you …
Draw the Louvre from memory. You will draw a triangle. Not the Cour Carrée, not the Grande Galerie, not the Renaissance wings that took four centuries …
